Crisis Brews in Odisha’s Jatra Industry Amid Boycotts and Allegations

Bhubaneswar: A wave of controversies is shaking the foundation of Odisha’s traditional jatra industry as prominent artistes and jatra party owners find themselves locked in a bitter standoff. The growing trend of ‘boycotts’ and internal disputes has sparked unrest within the community, casting a shadow over the future of this age-old theatrical tradition.

Veteran jatra artistes such as Nari Panda, Pratap Mohanty, and Bapi Panda are reportedly facing increasing scrutiny from the association of jatra party owners. Despite the looming threat of disciplinary action, Bapi Panda has openly supported the boycott movement, warning that the current crisis could jeopardize the survival of the entire jatra ecosystem.

Recent allegations have further fueled tensions. A jatra party owner, Hemendra Barik, has accused another prominent owner of withholding Rs 20 to 21 lakh from a labour manager, highlighting serious financial irregularities within the industry. “Many jatra artistes are not receiving their payments. How will they make their living?” Barik questioned.

Bapi Panda, who has taken a vocal stance against perceived injustices, has alleged that artistes speaking out against unfair treatment are being harassed. “Jatra artistes like Pratap Mohanty, Namita, and Nari Panda have faced torture for raising their voices. I am no exception, and I am ready to face any consequences,” he stated.

The controversy deepened after Bapi Panda’s involvement in the boycott movement drew sharp criticism and speculation from industry insiders. His remarks—warning of possible shutdowns of jatra parties if justice is not served—have put him at odds with several proprietors who are reportedly preparing for stern action.

Industry insiders warn that the unresolved disputes could severely damage the viability of jatra in Odisha. Critics liken the current situation to a “proverbial storm,” where speaking out could lead to dire consequences for artistes. “Open your mouth, and the head will roll,” has become an apt metaphor for the precarious conditions being faced.

Amid the turmoil, voices of reason have emerged. Jatra organiser Kartikeswar Nayak stressed the need for mutual cooperation: “Jatra owners and artistes are dependent on each other. The controversy should be resolved amicably for the benefit of both sides.”

Echoing similar sentiments, jatra critic Bharat Chandra Barik added, “Nobody stands to gain from damaging the jatra industry in Odisha. It is in everyone’s interest to preserve and protect this cultural heritage.”

Attempts to reach involved parties and associations for official comments have so far been unsuccessful. Meanwhile, the jatra community remains embroiled in uncertainty, with unresolved allegations, financial disputes, and growing mistrust threatening to overshadow one of Odisha’s most beloved art forms.